Time links past with present Harper Lee had quite a task creating the narrative voice of Scout in To Kill a Mockingbird. Sure Scout was a six-year-old girl who ages about two years in the course of the book; what’s the challenge? Seems easy enough — in that short span of years there is not…
building character from within The variety of ways one can convey a character’s viewpoint are many and challenging. Dialogue, other character’s viewpoint, narrator, info dump and internal thought as a type of dialogue and first person speaker and then imbedded thinking stuck right inside the narration. I find such character reveals, when done well, a…
John Steinbeck wrote for and about the guy next door, the man that works to pay the bills at the end of the month, for the poor cuss who hopes and hopes even when hope is lost, and loses and loses, even when he wins. Tortilla Flat He moved slowly and cautiously. Now and…
Door to the inside of a monster John Gardner’s Grendel is a work of delight and derangement cluttered in one diabolical monster’s mind. It is poetry garbed in prose, sophistry hiding behind a misunderstood, disadvantaged descendent of Cain. Gardner slips his monster into the reader, building sympathy and support as the beast twists its words…
Amber: imbedding strong images You know those images that stick with you long after the work has been shelved or sunk beneath a mountain of new impressions? The ones you can read over and over and feel the gritty texture, smell the burning tang, see the vivid stain…that quality of capturing a moment precisely, the…
Reading a Connie Willis novel is like drowning. Her very first paragraph is a rip tide that lets you get a breath just often enough not to drown you. You spend a lot of time treading water, but the liquid feels so lovely against your skin, a blood warm suspension, and you pray for breath…
The art of writing dialogue I have always enjoyed reading Heinlein’s books, but it is his dialogue that holds my attention the most. His characters play with words and by doing so demonstrate relationships and conditions. This excerpt from The Cat that Walks Through Walls is a great example of how his dialogue clearly separated…
Always looking at a master’s work before tackling your own world building is a good way to not just see the process in action but immerse yourself in it, so when you dive into your own work, the spell has been cast, a sense of the cape of good building has been settled like…
